A professional cinematic storyboard sheet with 8 panels arranged in a grid layout. Two rows of 4 panels each. Each panel is a high-quality Pixar 3D animation style render with EXTREME action cinematography. Black background, thin black borders between panels, clean professional layout. NO captions, NO text below panels, only small white panel numbers top left corner. Panel 1: A 70-year-old Japanese-American tiny woman, sharp fierce glowing eyes, long silver-white hair in tight bun, deep battle-worn wrinkles, wearing torn dark red kimono with gold trim, black combat boots, holding a gleaming katana with both hands — standing alone in a grand luxury hotel lobby, enormous chandelier above, marble floors cracking under her feet from sheer presence, 6 massive armed thugs in black suits surrounding her in a tight circle, all aiming weapons directly at her, she stands completely calm, one eye slightly closed, dangerous half smile, wind mysteriously blowing her kimono from nowhere. Overhead bird's eye dramatic wide shot, camera tilted 15 degrees. Panel 2: Same tiny woman EXPLODES upward in a superhuman vertical leap so powerful the marble floor SHATTERS beneath her feet on launch, massive shockwave cracks spreading outward across floor, chandelier crystals exploding outward from the shockwave, thugs thrown backward from the force of her jump alone, kimono and silver hair streaming straight upward, katana blazing with golden light, shot from ground level looking straight up, she is a tiny silhouette against the enormous chandelier above. Extreme low angle, maximum motion blur, shockwave dust cloud at floor level. Panel 3: Same woman spinning at impossible speed mid-air, katana leaving a glowing golden arc trail through the air behind her, connecting with THREE thugs simultaneously in one spinning strike, all three bodies launching in different directions like ragdolls, shoes flying off, jackets ripping, one thug crashing through a glass display case, one thug hitting the grand piano sending keys flying everywhere, one thug sailing through a hotel window in slow motion, glass exploding outward in beautiful slow motion shards. Dynamic diagonal Dutch angle shot, extreme speed lines radiating from her spin center. Panel 4: Same woman lands in a perfect three-point stance on the marble floor — one fist on ground, one knee down, katana extended to the side — the impact of her landing sends a visible SONIC BOOM shockwave across the floor cracking tiles outward in a perfect circle, two thugs caught in the shockwave lifted off their feet and thrown backward, her silver hair fans out perfectly around her from the impact wave, fierce eyes locked forward, determined expression. Low angle wide shot, shockwave visual effect radiating outward from landing point. Panel 5: Same woman running UP a vertical wall defying gravity, feet planted impossibly on the wall, kimono flowing horizontally, each footstep leaving a glowing golden footprint on the wall, two thugs on the ground below staring up in absolute disbelief with dropped jaws and cartoon wide eyes, she is halfway up the wall heading toward the ceiling, katana ready, chandeliers and hotel artwork visible as she runs past them. Wide shot from ground level, dynamic vertical composition. Panel 6: Same woman SWINGING on the hotel chandelier one-handed, releasing at perfect moment, performing a triple aerial somersault, kimono and silver hair creating a magnificent spiral in the air, katana extended, dropping down toward last two thugs below like a human missile, the chandelier swinging wildly behind her still, dramatic golden light from chandelier catching her perfectly mid-somersault, thugs below frozen looking up with terror. Wide shot slightly elevated, maximum motion blur on spinning kimono. Panel 7: Same woman standing alone in completely obliterated hotel lobby — entire floor cracked and shattered, grand piano destroyed, glass cases smashed, paintings fallen, chandelier tilted at 45 degrees still swinging, 6 thugs all unconscious in various ridiculous cartoon positions around the room — one draped over the piano, one half inside a broken display case, one sitting against a cracked wall with cartoon spiral eyes — she stands perfectly centered, calmly straightens her kimono collar with two fingers, silver hair slightly disheveled, small dignified smile, one thin wisp of smoke rising from the tip of her katana. Wide establishing shot eye level, warm golden light flooding back into the destroyed lobby. Panel 8: Same woman sitting serenely at the completely destroyed hotel bar, broken bottles and glasses everywhere, one thug's leg sticking comically out from behind the overturned bar counter, she holds a delicate porcelain cup of green tea with both hands, eyes closed in absolute peace, steam curling beautifully upward from the cup, soft warm golden morning light streaming through the cracked hotel windows behind her, her expression completely serene and satisfied, silver hair now loose and flowing softly around her shoulders, katana resting gently across her knees. Close-up medium shot, soft warm golden light, completely still and peaceful. At top center add clean bold white header text: "NEVER UNDERESTIMATE GRANDMA" Overall: Pixar 3D animation style throughout all 8 panels, subsurface scattering skin, physically-based rendering, smooth stylized exaggerated textures, MAXIMUM exaggerated cartoon action physics, over-the-top impact effects, speed lines, shockwaves, motion blur, bold saturated dramatic colors, each panel has completely different dramatic cinematic lighting, consistent character design across all 8 panels, high-quality CGI render, 8K quality, no watermarks, no excessive blood or gore, stylized cartoon action comedy only, family friendly explosive action tone, think Pixar meets John Wick meets Kung Fu Panda.
